CV
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Chloe Lum & Yannick Desranleau
Chloe Lum
2016-2018 MFA, York University, Toronto, Canada
2012-2015 BFA, Concordia University, Montréal, Canada
2000-2001 Concordia University; Interdisciplinary Studies In Fine Arts
Yannick Desranleau
2013-2016 MFA, Studio Arts (Sculpture), Concordia University, Montréal, Canada
1999-2002 Concordia University; Interdisciplinary Studies In Fine Arts
Solo Exhibitions (selected)
2023
Stills from Non Existent Performances – Galerie Hugues Charbonneau, Montréal, Canada.
2022
The Garden of a Former House Turned Museum – Esker Foundation, Calgary, Canada. Curator: Naomi Potter.
2021
Crushed Butterflies Dream Too – Galerie B-312, Momenta Biennale, Montréal, Canada. Curator: Stefanie Hessler.
2020
Is It the Sun or the Asphalt All I See Is Bright Black – Cambridge Art Galleries, Cambridge, Canada
Treasures Are Hopes Made Solid to Catch the Light and Also the Dust – Musée d’art de Joliette, Canada. Curator: Anne-Marie St-Jean Aubre.
2019
What Do Stones Smell Like In The Forest? – Latitude 53, Edmonton, Canada
Mac Collection: Chloë Lum & Yannick Desranleau – Musée d'art contemporain de Montréal, Canada. Curator: Marie-Eve Beaupré.
What Do Stones Smell Like In The Forest? – Gallery TPW, Toronto, Canada
2018
What Do Stones Smell Like In The Forest? – FoFA Gallery, Montréal, Canada
2017
Is It The Sun Or The Asphalt All I See Is Bright Black – Circa Art Actuel, Montreal Canada
2016
5 Tableaux (It Bounces Back) – Or Gallery, Vancouver, Canada. Curator: Joni Low.
Rome – Kiehle Gallery, St. Cloud State University, St. Cloud, Minnesota, USA
2015
The Face Stayed East The Mouth Went West (elements) – Galerie Hugues Charbonneau, Montréal, Canada
2014
The Face Stayed East The Mouth Went West – Confederation Centre Art Gallery, Charlottetown, Canada. Curator: Pan Wendt
Meant To Not Mean To Mean To Not Mean To – Anna Leonowoens Gallery, Halifax, Canada
Vexations – Access Gallery, Vancouver, Canada.
2013
Certainty: Two Times Not Really – Struts Gallery, Sackville, Canada
Looming – YYZ Artists' Outlet, Toronto, Canada
Seripop – Galerie Hugues Charbonneau, Montréal, Canada
More Time Than Space – Engramme, Québec, Canada
De par les options qui s'offrent à nous : la moins plausible / la plus tolérable – Galerie B-312, Montréal, Canada
2012
The Options That Are Offered To Us: The Least Likely / The Most Tolerable – TRUCK, Calgary, Canada
Deux temps, trois mouvements, sans doute – La Maison des Artistes Visuels Francophones, Winnipeg, Canada
Ce quoi aurait dû être et ce quoi ne le pouvait pas – Caravansérail, Rimouski, Canada.
En Finir Avec, Sans Aller Au Fond Des Choses – Action Art Actuel, Saint-Jean-sur-Richelieu, Canada
Landscapes Events Reproducted – Blackwood Gallery, University of Toronto at Mississauga, Canada. Curator: Christof Migone
2010
Hoarding Skin – Secret Project Robot, Brooklyn, New York, USA
2009
IBU400 X 2 – Space 1026, Philadelphia, Pennsylvania, USA
Seripop – Baltic Centre for Contemporary Art, Gateshead, England. Curator: Sophie Brown
Seripop – Peacock Centre for Contemporary Art, Aberdeen, Scotland
2008
Seripop: Mutations – Spedition am Güterbahnhof, Bremen, Germany
2007
Visual Emetic and Billions of Typos - The Art of Seripop – Manitoba Printmakers Association, Winnipeg, Canada
Group Exhibitions (selected)
2021
Là où les mondes s’engendrent – Cité internationale universitaire de Paris, France. Curator: Renaud Gadoury.
2020
Les gestes flottent, s'empilent et éclatent – Centre Regart, Lévis, Canada. Curators: Maude Johnsonand Florence-Agathe Dubé-Moreau
PRAXES – QuaranTonics (online exhibition). Curators: Laura Hudspith and Róisín McQueirns.
A Human Touch – Galerie Hugues Charbonneau (online exhibition), Montréal, Canada
Ambiguous Becomings: Artists’ Moving Image from Canada – Cooper Gallery, University of Dundee, Scotland. Curators: Sophia Hao and Maude Johnson. Presented in collaboration with Momenta Biennale de l'image.
2019
From the Studio – Galerie Hugues Charbonneau, Montréal, Canada
Fanoon: Highlights 2012-2019 – University Gallery, VCUarts Qatar, Education City, Qatar
2018
Biennale d'art performatif de Rouyn-Noranda – Rouyn-Noranda, Canada
L’art de la sérigraphie publicitaire au Québec. Des années 1950 à nos jours – Musée Des Maîtres et Artisans du Québec, Ville St-Laurent, Canada
Carteles de Quebec – Centro Provincial de Artes Plasticas Y Diseño, Habana, Cuba. Curator: Marc Choko
Realms II – Gordon Snelgrove Gallery, University of Saskatchewan, Saskatoon
2017
Performance via la caméra – Galerie Hugues Charbonneau, Montréal, Canada
Standing Under Mis – Katzman Contemporary, Toronto, Canada
Km3 – Quartier des Spectacles, Montréal, Canada. Curators: Julie Bélisle, Mélissa Mongiat, Mouna Andraos.
L’art de la sérigraphie publicitaire au Québec. Des années 1950 à nos jours – Musée Des Beaux-Arts De Sherbrooke. Curator: Marc Choko
2016
A Little Bit of Infinity – University of Alberta Museum Galleries, Edmonton, Canada
2015
L'image signée – Galerie Hugues Charbonneau, Montréal, Canada
La Estampa: Entre La Diversidad Y La Hibridacion – San Pedro Museo de Arte, Puebla, Mexico
International Print Biennale: Seclected Works – Northern Print, Newcastle, UK
La Estampa: Entre La Diversidad Y La Hibridacion – Centro de las Artes de Guanajuato, Mexico
Simultaneous: Seripop & Sonnenzimmer, Center for Books and Paper Arts, Chicago, USA. Curator: Julia V. Hendrickson
2014
La Estampa: Entre La Diversidad Y La Hibridacion, MUNAE, Mexico City
Contemporary Art Forum, Kitchener+Area – Public Art Biennial, Kitchener, Canada
Échos I – Galerie Hugues Charbonneau, Montréal, Canada
2013
Permanent Summer – Civilian Art Projects, Washington DC, USA
Image Imprimée – Biennale de Gravure Contemporaine, École supérieure des arts St-Luc Liège, Belgium
2012
Pulled – Public Works Gallery, Chicago USA
Art Souterrain – Montreal, Canada
2011
Pulled – Yes Gallery, Cincinnati; Space Gallery, Portland; 3rd Ward, Brooklyn, USA
The Work Ahead of Us: Québec Triennial 2011 – Musée d’Art Contemporain de Montréal, Canada
2010
Street & Studio: From Basquiat to Seripop – Kunsthalle Wien, Vienna, Austria. Curator: Cathérine Hug
Interventions, Performances, Commissions, Collaborations, and Other Projects
2022-I – online 12-hours multi-artist broadcast, curated by Christof Migone, presented in collaboration with Centre Oboro and Arraymusic. December 12.
2022Meditations, Volume 3: Words as Sculpture, Their Shapes as Sound – screening, Official Selection, Fisura International Festival of Experimental Film & Video, Mexico City, Mexico.
2020 Meditations, Volume 4: Treasures Are Hopes Made Solid to Catch the Light and Also the Dust – performance, presented at Carrefour culturel Notre-Dame-des-Prairies, as part of the exhibition Treasures Are Hopes Made Solid to Catch the Light and Also the Dust Musée d'art de Joliette, Canada, February 14
2020 Becoming Unreal – performance, presented as part of the exhibition Ambiguous Becomings Cooper Gallery, Dundee, Scotland, January 23
2019 The Garden of a Former House Turned Museum – performance, Musée d’art de Joliette, Canada, October 5
2019 An Autobiography of Air – performance, Musée d'art contemporain de Montréal, June 19 to August 4
2019 Becoming Unreal – performance, presented as part of the exhibition What Do Stones Smell Like in the Forest? Gallery TPW, Toronto, Canada, Feburary 23
2019 The Lead Apron – performance, presented as part of the exhibition What Do Stones Smell Like in the Forest? Gallery TPW, Toronto, Canada, February 10
2018 The Lead Apron – performance, presented as part of the Biennale d'art performatif de Rouyn-Noranda, L'Écart, Rouyn-Noranda, Canada, October 17
2018 Becoming Unreal – performance, presented as part of the exhibition Of, In or Under by Jasmine Reimer, Forest City Gallery, London, Ontario, Canada, September 12
2018 The Lead Apron – performance, presented as part of the exhibition What Do Stones Smell Like in the Forest? Concordia University, Montréal, Canada, May 3 and 24
2017 Laocoon – public artwork, commissioned by Partenariat du Quartier des Spectacles and the City of Montréal. Curators: Julie Bélisle, Mouna Andraos, Mélissa Mongiat.
2016 5 Tableaux (It Bounces Back) – performance, Or Gallery, Vancouver, Canada, September 9
2016 The Rules – performance, OFFTA Performance Art Festival, Montréal, Canada, June 2 & 3
2016 Rome – performance, In collaboration with BodyCartography Project, Kiehle Gallery, St-Cloud State University, Minnesota, USA, January 26
2015 squish to see you never – ephemeral public art installation, jè-st' Performance Biennial, Moncton, Canada, September 23 - 28
2015 5 Tableaux (It Bounces Back) – performance, Darling Foundry, Montréal, August 6
2015 The Face Stayed East The Mouth Went West (elements) – performance. Choreography: Sarah Wendt, Galerie Hugues Charbonneau, May 29
2015 Pushing On A String – performance, Courtyard Gallery, University of Texas at Austin, USA, February 27
2014 We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider – material intervention on public artworks in the city of Victoria, in collaboration with Open Space, Victoria, Canada, June 10 - 14
2014 Meant To Not Mean To Mean To Not Mean To – public artwork commissioned for Papier 14 Art Fair, Montréal, Canada
2012-2014 Avancez En Arrière – ephemeral public art installation/intervention, in collaboration with Action Art Actuel, Saint-Jean-sur-Richelieu, October 2012 - May 2014
Residencies
2021 Salon58, Marsoui, Canada
2020-2021 Autorésidences, AXENÉO7 Artist-Run Centre, Gatineau, Canada
2020 Performance Creation Residency, Carrefour Culturel Notre-Dame-des-Prairies, in collaboration with Musée d'art de Joliette, Canada
2020 SONCO Artists-in-Residence, Mount Allison University, Sackville, Canada
2019 Artistes en Résidence, Daïmon, Gatineau, Canada
2019 Creation Residency in Dance, Musée de Joliette, Canada
2018 Despina, Rio de Janeiro, Brazil (facilitated by Centre Diagonale, Montréal); November.
2018 8 Days, a Gathering of choreographers, Woody Point, Newfoundland and Labrador
2017 (C. Lum) Summer Institute – Lead by Chris Kraus, Plug-In ICA, Winnipeg, Canada
2017-2018 (Y. Desranleau) Artist-in-Residence, Department of Studio Arts, Faculty of Fine Arts, Concordia University, Montréal, Canada
2016-2019 Montréal Residencies, Darling Foundry, Montréal, Canada
2016 Fanoon, Center for Printmedia Research, Virginia Commonwealth University Qatar, Doha
2015 Klondike Institute of Art & Culture, Dawson City, Yukon
2015 Extrapool, Nijmegen, Netherlands
2015 University of Texas at Austin, Guest Artist in Print Program.
2014 NSCAD,Summer Visiting Artists Series, Halifax, Canada
2013 (Yannick Desranleau) The Deskilling and Reskilling of Artistic Production, Workshop lead by Luanne Martineau et Devon Knowles, Concordia University, Montréal, Canada.
2012 L'Écart, Rouyn-Noranda, Canada
2009 Northern Print, Newcastle, England
Lectures, Conferences, and Curatorial Activities (selected)
2022
Workshop on grant writing, Art Volt Program, Concordia University, Montréal, Canada, November 21.
Artist talk, Esker Foundation, (online), Canada, October 27.
Roundtable artist talk, Esker Foundation, Calgary, Canada, July 23.
2021
Artist talk, Cambridge Galleries (online), Canada, January 21.
Artist talk, Salon58, Marsoui (online), Canada, January 16.
2020
Artist talk, Musée en quarantaine, Musée d'art de Joliette (online), Canada, April 24.
Conference, Département des arts visuels, Université de Moncton, Canada, March 11.
Artist talk, Owens Gallery, Mount Allison University, Sackville, Canada, February 26
Artist talk, Studio Arts Department, Concordia University, Montréal, Canada, February 5.
Artist talk, Duncan of Jordanstone College of Art & Design, University of Dundee, Scotland, January 22
2019
Conference, Désenclaver l'art imprimé, Université du Québec en Abitibi Témiscamingue, Rouyn-Noranda, Canada, September 21
(C. Lum) Artist talk, University of Alberta Department of Fine Arts, Edmonton, Canada, September 4
Roundtable, Material Performativity, with Maude Johnson, jake moore, and Marie-Eve Beaupré, Musée d'art contemporain de Montréal, August 4
(C. Lum) Roundtable Reading, The Loud Object, with Catherine Telford Keogh and Alize Zorlutuna, Gallery TPW, Toronto, February 23.
2018
(Y. Desranleau) Conference, Concordia University Print Symposium, Montréal, Canada, October 24.
Roundtable, Biennale d'art performatif de Rouyn-Noranda, Canada, October 18.
(C. Lum) Roundtable, Dirty Words, moderated by Yaniya Lee, Paper 18 Art Fair, Montréal, Canada.
Co-chairs, The (Un)Methods of Print in Multidisciplinary Milieus panel, SGC International Conference, Las Vegas, USA, April 5.
Artist Talk, Conversation In Contemporary Art, Concordia University, Montréal, March 16.
2017
Roundtable, moderated by Ji-Yoon Han, Darling Foundry, Montréal, Canada, November 30.
Roundtable, Where To Now?, Art Matters, Concordia University, Montréal, Canada
2016
(C. Lum) Jury, Albert-Dumouchel Prize, ARPRIM, Montréal
Round Table, Vitriol, moderated by Catherine Mackenzie, AHGSA Annual Graduate Conference, Concordia University, Montréal, Canada
Presentation, University of Minnesota, Minneapolis, USA
2015
Conference, UAAC-AAUC 2015, NSCAD University, Halifax, Canada
Artist talk and performance, Dawson Daily News Print & Publishing Symposium, Dawson City, Yukon
Artist Talk, School of the Art Institute of Chicago, Printmaking Department.
2014
Artist Talk, Anna Leonowens Gallery, Halifax, Canada.
Artist Talk, Open Space, Victoria, Canada.
Roundtable, Paper Trails, with Dominique Pétrin, moderated by David Balzer, Papier 14 Contemporary Art Fair, Montreal, Canada.
Artist Talk, with curator Kimberly Phillips, Access Gallery, Vancouver, Canada.
2013
Keynote lecture, for the forum/event A Handmade Assembly, Owens Art Gallery / Mount Allison University /Struts Gallery, Sackville, Canada.
Lecture, part of the series 3 Lecture 4 Voices, with Vincent Bonin and Michèle Thériault, Concordia University, Montreal, Canada. Curated by Tricia Middleton, in collaboration with FOFA gallery.
2012
Round Table, Rencontre autour du Futur des Arts Imprimés, Galerie Circulaire, Montréal, Canada
Artist Talk, Sheridan College Faculty of Visual Arts and Design, Oakville, Canada
2011
Artist Talk, Musée d’art contemporain de Montréal, Canada
2009
Lecture, Posters, Modernity, Montreal, Baltic Centre for Contemporary Art / Northern Print Bienniale, Gateshead, England
Workshop, Peacock Centre for contemporary Art, Aberdeen, Scotland
2008
Co-curators, Radar Eyes, Co-Prosperity Sphere, Chicago, USA
2007
Workshop, Tutorial, Martha Street Studio, Manitoba Printmakers Association, Winnipeg, Canada
Artist Talk, University of Manitoba School of Art, Design Department, Winnipeg, Canada
Awards, Bursaries, Grants
2022Project Grant, Recherche, Conseil des Arts et des Lettres du Québec
2022Project Grant, Explore and Create - Concept to Realization, Canada Arts Council
2022 RBC Arts Rising Prize
2022 Official Selection, for Meditations, Volume 3: Words as Sculpture, Their Shapes as Sound; Fisura, International Festival of Experimental Film & Video, Mexico City, Mexico.
2022 Project Grant, Explore and Create – Professional Development, Canada Arts Council
2021 Production grant, Koyama Provides
2021 Project Grant, Explore and Create - Concept to Realization, Canada Arts Council
2021 Project Grant, Explore and Create – Professional Development, Canada Arts Council
2020-21 Project Grant, Creation, Conseil des Arts et des Lettres du Québec
2020 Residency Grant, Québec - New Brunswick Artist-In-Residence Program, Conseil des Arts et des Lettres du Québec
2020 Acquisition and Marketing Grant, Conseil des Arts et des Lettres du Québec
2020 Project Grant, Autorésidences, coordinated by AXENÉO7 artist-run centre, Gatineau, Québec
2020 The Fourth MNBAQ Contemporary Art Award, Finalists – Musée national des beaux-arts du Québec & RBC Foundation
2020 Travel Grant: Arts Across Canada, Canada Council for the Arts
2020 Travel Grant: Arts Abroad, Canada Council for the Arts
2019 Travel Grant, Conseil des Arts et des Lettres du Québec
2019-20 Project Grant: Explore and Create -Concept to Realization, Canada Council for the Arts
2018 Residency Grant, Canada Council for the Arts
2018 Travel Grant, Conseil des Arts et des Lettres du Québec
2018 Project Grant: Explore and Create -Concept to Realization, Canada Council for the Arts
2018 Project Grant, Research and creation, Conseil des Arts et des Lettres du Québec
2018 Travel Grant, Canada Council for the Arts
2017 Travel Grant, Conseil des Arts et des Lettres du Québec
2017-18 C. Lum: FQRSC Masters Graduate Research Grant
2017 Dissemination and Promotion Grant, Conseil des Arts et des Lettres du Québec
2017 Project Grant, Canada Council for the Arts
2016 Travel Grant, Canada Council for the Arts
2016-17 C. Lum: SSHRC Joseph-Armand Bombardier Canada Graduate Master’s Scholarship
2016-17 C. Lum: York University Graduate Scholarship
2016 C. Lum; The Susan Crocker and John Hunkin Award in Fine Arts, York University
2016-18 Y. Desranleau: Claudine and Stephen Bronfman Fellowship in Contemporary Art
2016 Travel Grant, Conseil des Arts et des Lettres du Québec
2015 Sobey Art Awards, Long List (Québec)
2015 Travel Grant, Canada Council for the Arts
2015 Project Grant, Canada Council for the Arts
2015-16 Yannick Desranleau: FQRSC Masters Research Grant
2015 Travel Grant, Conseil des Arts et des Lettres du Québec
2015 Project Grant, Research and creation, Conseil des Arts et des Lettres du Québec
2014 Travel Grant, Canada Council for the Arts
2014 Project Grant, Canada Council for the Arts
2014-15 Yannick Desranleau: SCHRC Joseph-Armand Bombardier Scholarship
2014 Travel Grant, Conseil des Arts et des Lettres du Québec
2013 Travel Grant, Conseil des Arts et des Lettres du Québec
2013 Project Grant, Research and creation, Conseil des Arts et des Lettres du Québec
2013-16 Yannick Desranleau: Nick and Dale Tedeschi Scholarship, Concordia University, Montreal, Canada
2013-15 Yannick Desranleau: Faculty of Fine Arts Fellowship, Concordia University, Montreal, Canada
2012 Shortlist, Pierre-Ayot Award, City of Montreal
2012 Exhibition Award, Ontario Association of Art Galleries
2012 Project Grant, Research and creation, Conseil des Arts et des Lettres du Québec
2012 Travel Grant, Conseil des Arts et des Lettres du Québec
2012 Travel Grant, Canada Council for the Arts
2011 Project Grant, Research and creation, Conseil des Arts et des Lettres du Québec
2011 Travel Grant, Conseil des Arts et des Lettres du Québec
2010 Project Grant, Research and creation, Conseil des Arts et des Lettres du Québec
2010 Travel Grant, Conseil des Arts et des Lettres du Québec
2009 Travel Grant, Canada Council for the Arts
2009 Travel Grant, Conseil des Arts et des Lettres du Québec
2008 Travel Grant, Canada Council for the Arts
Collections (selected)
Musée national des beaux-arts du Québec
Musée d'art contemporain de Montréal
Montreal Museum of Fine Arts
Victoria and Albert Museum, London, United Kingdom; Prints & Drawings permanent collection
University of Maryland Art Gallery
BMO Corporate Collection
KPMG Corporate Collection
Private collections
Selected Bibliography
Exhibition Publications
2021Stefanie Hessler, et al., Sensing Nature : Momenta Biennale, Kerber Verlag, Bielefeld.
2019 Rhys Himsworth, Zachary Stensen & al, Fanoon: Highlights 2012-2019, Fanoon Center for Printmedia Research (VCUarts Qatar), Doha.
2019 Daniella Sanader, Chloë Lum & Yannick Desranleau, An Object Glossary, for the exhibition What Do Stones Smell Like in the Forest?, Gallery TPW, Toronto.
2018 Jake Moore & Chloë Lum, What Do Stones Smell Like In The Forest?, FoFA Gallery, Montréal.
2017 Joni Low & al, 5 Tableaux (It Bounces Back), Or Gallery, Vancouver.
2015 Julia V. Hendrickson & Lauren Weinberg, Simultaneous: Seripop & Sonnenzimmer, Center for Book and Paper Arts at Columbia College Chicago.
2014 Pan Wendt, The Face Stayed East The Mouth Went West, Confederation Centre Art Gallery, Charlottetown.
2012 Christof Migone & Yannick Desranleau, Landscapes, Events, Reproducted, Blackwood Gallery, University of Toronto at Mississauga.
2011 Marie Fraser & all, La Triennale québécoise 2011: Le travail qui nous attend, Musée d’art contemporain de Montréal, exhibition catalogue.
2010 Catherine Hug, Thomas Miessgang & all, Street & Studio: From Basquiat to Séripop, Verlag für moderne Kunst, Nürnberg, exhibition catalogue.
2009 Ed Webb-Ingall, Sophie Brown & all, Seripop/Baltic/Zine, BALTIC Centre for Contemporary Arts, Gateshead.
Critical Essays, Articles, Interviews, selected
2023
Éric Clément, ‘Rentrée des galeries: Univers variés’, La Presse [web], January 6.
2022
Robb Jamieson, ‘Fall Arts Preview 2022’, Elle Canada [web], November 10.
Karine Bouchard, ‘Dialogues suspendus’, Le Sabord, no 122 “Sutures”.
Madam Neverstop, ‘The Parameters of Decay’, RedDoor Magazine, no 20 “Takover”.
André-Louis Paré, ‘Écouter pour voir’, Espace, spring-summer.
2021
Cindy Baker, ‘Leaky Bodies : Performance and Pain in the Work of Chloë Lum and Yannick Desranleau’, BlackFlash Magazine, Winter 2021.
2020
Amanda Roach, ‘Spotlight : Chloë Lum & Yannick Desranleau’, LVL3 [web], December 23.
Alexandra Tourigny Fleury, ‘Créer confinés. Les autorésidences d’AXENÉO7’, Vie des Arts [web], September 29.
Tammer El-Sheikh, 'The Itch of Embodiment: Disability Aesthetics in Works by Chloë Lum and Yannick Desranleau and Ingrid Bachmann', in Entangled Bodies: Art, Identity and Intercorporeality, ed. Tammer El-Shiekh, Vernon Press, Wilmington, p 81-102.
Josiane Desloges, 'Les gestes flottent, s’empilent, éclatent: commissariat chorégraphié', Le Soleil [web], September 3.
Éric Clément, 'Pluie d'art sur les confinés', La Presse [web], May 11.
Éric Moreault, 'Prix en art actuel du MNBAQ: les cinq finalistes se partagent 10 000 $', Le Soleil [web], April 27.
Florence Dubé-Moreau, 'Éclater les codes', Elle Québec, February.
Canadian Art Staff, 'Editor's Pick', Canadian Art, January.
Amélie Giguère, ‘Muséaliser la performance’, Vie des Arts, number 257.
2019
Esmé Hogeveen, 'Sickness and Strength: The Golem as diva in Chloë Lum and Yannick Desranleau's What Do Stones Smell Like in the Forest?', Cléo Magazine, summer.
Éric Clément, 'MAC: la grande pertinence de Rebecca Belmore', La Presse, 23 juin.
2017
Sealan Twerdy, 'Living With Crisis', Canadian Art, Winter 2018.
Karie Liao, 'Future Bodies: Living a Posthuman Imaginary World', exhibition essay for Is It The Sun Or The Asphalt All I See Is Bright Black, Circa Art Actuel, Montreal, Canada.
2015
Kristel Jax, 'Seripop’s Chloe Lum and Yannick Desranleau on Garbage, Grants, and Life After AIDS Wolf',Vice, June 17.
Christian Ledwell , 'A measure of disorder: Seripop’s exploration of entropy',Visual Arts News, Halifax, January 15.
Marine Van Hoof, 'L'estampe: nouveaux plans et volumes', Vie des Arts, Hiver.
2014
Lindsay Raining Bird, 'Seripop Culture',The Coast, Halifax, July 31.
Sarah Davidson, 'Seripop: Underground Scene to High Art',Satellite Gallery, January 25.
2013
Mike Landry, 'Small Gestures', Telegraph Journal, Saint John, October 19.
Jason Urban, 'Pattern Recognition: A Letter from Montréal', Art in Print, October.
Joseph Henry, 'Paper Planes: Seripop Takes Over YYZ', Blouin ArtInfo [web], August 16.
Jessica Mensch, 'What’s All The Fuss About?', Body Litterature [web], June.
Josianne Desloges, 'Seripop chez Engramme: big bang de couleurs', Le Soleil, Québec City, March 9.
Oli Sorenson, ‘Interview: Séripop mashes noise and minimalism’, M-KOS, February 7.
2012
Leah Sandals, ‘Poster Perfection’, National Post, Toronto, March 1.
2011
Tammer El-Sheikh, ‘Seripop’, ETC Montréal #92: Folk, p. 13-17, color photos.
Exhibition Reviews
2021
Xenia Benivolski, '17th MOMENTA Biennale, “Sensing Nature”', Art Agenda [web], October 22.
Jayne Wilkinson, 'Natural Causes', Artforum - Slant [web], October 20.
Marie-Ève Charron, ‘Momenta: la nature là où vous ne l’attendez pas’, Le Devoir, September 25.
2020
Jean-Michel Quirion, 'La douleur chantée et dansée de Chloë Lum et Yannick Desranleau', Vie des Arts, Number 259.
2019
Emma Sharpe, ‘A Year in Language’, Canadian Art, December 19.
Irene Achterberg, 'Chloë Lum & Yannick Desranleau: What Do Stones Smell Like in the Forest?', Senses and Society, vol. 14, no. 2.
Esmé Hogeveen,'Chloë Lum & Yannick Desranleau' Canadian Art, August 1.
Karie Liao, 'Chloë Lum & Yannick Desranleau: What Do Stones Smell Like in the Forest?', C Magazine, no. 140, winter.
2018
Maryse Boyce, 'Biennale d'art performatif, Rouyn-Noranda', Esse [web], October 30.
Nathalie Bachand, 'Chloë Lum & Yannick Desranleau, Galerie FOFA, Montréal', Esse [web], May 23.
2017
Saelan Twerdy, 'Montreal Report: Darkness in Summer', Canadian Art [web], June 28.
Tammer El Sheikh,, 'Akimblog', Akimbo [web], June 7.
Jean-Michel Quirion, 'Un arrêt au belgo : à l’intersection de trois expositions', Ex-Situ [web], May 31.
2016
Vanessa Molina, 'The rules – Les règles – OFF.T.A. 2016', Trahir [web], June 3.
Maude Johnson, 'Chloë Lum et Yannick Desranleau, avec Sarah Wendt, The Rules', Esse [web], summer.
Éric Clément, 'L'art en entreprise sur Pie-IX', La Presse, January 14.
2015
Jérôme Delgado, 'Au-delà des impressions',Le Devoir, Montréal, September 12.
Martine Van Hoof, 'L'estampe: nouveaux plans et volumes', Vie Des Arts 237, January.
Caroline Picard, 'Simultaneous: Seripop & Sonnenzimmer – Composing Landscapes.',The Seen, Chicago, April 7.
2014
Jf Huerta, 'La Estampa: Entre la Diversidad y la Hibridación', Art In DF , Mexico City, December 14.
Adam Barbu, 'CAFK+A 14',Magenta Magazine, August.
Sky Gooden, 'Review: The Things Done Well at Papier 14', Blouin ArtInfo, April 29.
Leah Sandals and David Balzer, '10 Parting Thoughts on Papier 14', Canadian Art, April 27.
Leah Sandals and David Balzer, 'Canadian Art’s Picks from the Papier 14 Preview', Canadian Art, April 25.
Daniel Joyce, 'Seripop', Canadian Art, Spring 2014.
2013
Leah Sandals, 'Top 3 of 2013', Canadian Art, December 24.
Caitlin Sutherland, 'Seripop: Looming at YYZ', Daily Serving, October 23.
Claire Moeder, 'Séripop: lever le voile', ratsdeville [web], March 8.
2012
Steven Leyden Cochrane, ‘Confusing – but in a good way’, Uptown, Winnipeg, August 9.
Amy Gaizauskas, ‘Seripop: Landscapes Events Reproducted’, C Magazine, issue114, Summer.
Éloi Desjardins, ‘Art Souterrain 2012’, Un Show de Mot’Arts, March 1st.
Terrance Dick, 'Akimblog', Akimbo [web], February 28.
Nives Hajdin, ‘The weightlessness of the world’, The Medium, January 28.
2011
Daniel Baird, 'The Quebec Triennial: Eyes Front', Canadian Art [web], October 13.
Willie Brisco, ‘Montreal's Cerebral Art Scene Gets Its Due at the Quebec Triennial’, ArtInfo.com, November 28.
2009
Irene Revell, ‘On Site: Seripop’, The Wire, September.
Cristal Duhaime and Ali Rahman, ‘Fine Print’, Hour, Montreal, July 2.
Other Books and Publications, selected
2021
Marc Choko, Masters of Serigraphy Posters, Éditions du Limonaire, Suresnes, 286 pages.
2018
Jon Vaughn, Realms II, Ecstasy Editions, Saskatoon, p 84-85.
2015
Chloe Lum and Yannick Desranleau, A series of performances, Knust, Nijmegen.
2013
John Foster, Paper and Ink Workshop, Rockport Publishers.
2011
Mike Perry, Pulled: A Catalog Of Screen Printing, Princeton Architectural Press.
2010
John Foster, 1000 Indie Posters, Rockport Publishers.
2009
Bruce Willen and Nolen Strals, Lettering & Type: Creating Letters and Designing Typefaces, Princeton Architectural Press, New York, 144 pages.
Robert Klaten & Hendrik Hellige, Naïve: Modernism and Folklore in Contemporary Graphic Design, Die Gestalten Verlag, Berlin, p. 164-165, 7 colour photos.
2008
Victor Cheung, Musikgraphics, Victionary, Hong Kong, p. 196-197, 2 colour photos.
Robert Klanten and Hendrik Hellige, Lemon Poppy Seed: Multitasking Creativity, Die Gestalten Verlag, Berlin, pages 144, 148-149, 153, 220, 247.
2007
Robert Klanten and Hendrik Hellige, Illusive 2: Contemporary Illustration and Its Context, Die Gestalten Verlag, Berlin, pages 126, 360.
B. Brumnjak, Kelvin: Colour Today, Die Gestalten Verlag, Berlin, pages 25,123,170.
2006
John Foster, New Masters of Poster Design: Poster Design for the Next Century, Rockport Publishers, Beverly MA, pages 154-161.
2004
Paul Grushkin and Dennis King, Art of Modern Rock: The Poster Explosion, Chronicle Books, pages 402-405.
Music, selected projects
AIDS Wolf (Noise Rock group, with various collaborators) (2003-2012)
Hamborghinni (Improvisation duo) (2006-)
Discography, selected
2011 AIDS Wolf, Ma vie banale avant-garde, Lovepump United, New York, USA
2010 AIDS Wolf, March To The Sea; Skin Graft Records, St-Louis, USA
2008 AIDS Wolf, Cities of Glass; Skin Graft Records, St-Louis and Lovepump United, New York, USA
2006 AIDS Wolf, The Lovvers LP; Skin Graft Records, St-Louis and Lovepump United, New York,USA
Music Performances, selected
2012
AIDS Wolf, Residency at Sporobole, Sherbrooke, Canada
2011
AIDS Wolf, Vie Banale Tour, USA; 23 dates
AIDS Wolf, OFF Festival, Katowice, Poland
AIDS Wolf, Creepy Teepee, Kunta Hora, Czech Republic
AIDS Wolf, Eastern Europe, 8 dates
2010
AIDS Wolf, March to the Sea Tour, North America; 32 dates
2009
AIDS Wolf, Badass Tour, North America; 39 dates
2008
AIDS Wolf, Cities of Glass Tour, North America; 35 dates
AIDS Wolf, Europe and Israel; 41 dates
AIDS Wolf, Donau Festival, Krems, Austria
2005-2007
AIDS Wolf, multiple international tours, diverse duration